Naushad
![]() | Born |
| Active Decades | |
| 19001020304050607080902000 | |
One of India's great film soundtrack composers, Naushad spanned the history of Indian film from the silent era to the modern movies of Dilip Kumar. His background music and songs have been heard in such influential films as Baiju Bawra, Andaz, and Mela. His soundtracks, however, have been criticized for their overly polished approach. Although his score for 100 chorus singers was a major factor in the commercial success of Mohabbet Zindabad, he was denied an award by the editor of Filmfare for being "too refined and classical."
Music has played an essential role throughout Naushad's life. As a youngster, he was mesmerized by the great qawwals and musicians that he heard at the annual fair in Barabanki. He spent countless hours sitting by the feet of a flute player from Bareilly, listening and absorbing what he heard. Securing a position with the small orchestra that accompanied silent films at the Royal Theater in Lucknow, he learned the techniques needed for composing effective background music for the cinema. He strengthened his skills through studies with Ustad Baban Khan and Ustad Yusuf Khan.
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Music has played an essential role throughout Naushad's life. As a youngster, he was mesmerized by the great qawwals and musicians that he heard at the annual fair in Barabanki. He spent countless hours sitting by the feet of a flute player from Bareilly, listening and absorbing what he heard. Securing a position with the small orchestra that accompanied silent films at the Royal Theater in Lucknow, he learned the techniques needed for composing effective background music for the cinema. He strengthened his skills through studies with Ustad Baban Khan and Ustad Yusuf Khan.
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